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Andersen, M.M., Nielbo, K. L., Schjødt, U., Pfeiffer, T., Roepstorff, A., & Sørensen, J. (2019). Predictive Minds in Ouija Board Sessions. Phenomenology and the Cognitive Sciences, 18(3), 577-588. https://doi.org/10.1007/s11097-018-9585-8  

 

Bacchilega, C. (2018). Adaptation and the Fairy-Tale Web. In The Routledge Companion to Media and Fairy-Tale Cultures ed. Pauline Greenhill, Jill Terry Rudy, Naomi Hamer and Lauren Bosc. New York: Routledge. https://doi.org/10.4324/9781315670997

 

Bacchilega, C. (2017). Where Can Wonder Take Us? Journal of the Fantastic in the Arts, 28(1). 

https://www.academia.edu/37703413/Bacchilega_Where_Can_Wonder_Take_Us_.pdf

 

Bech Albertsen, A. N. (2019). Palimpsest Characters in Transfictional Storytelling: On migrating Penny Dreadful Characters from Television to Comic Books. Continuum - journal of media & cultural studies, 33(2), 242-257. https://doi.org/10.1080/10304312.2019.1569404

 

Clasen, M. (2018). Evolutionary Study of Horror Literature. In K. Corstorphine, & L. Kremmel (Eds.), The Palgrave Handbook to Horror Literature (pp. 355-363). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-97406-4  

 

Clasen, M. (2020). On the Uses of Horror in the Classroom. Anglo Files, Journal of English Teaching, (195), 12-15. 

 

Green, S. (2019). Fantasy, Gender and Power in Jessica Jones. Continuum - journal of media & cultural studies, 33(2), 173-184. https://doi.org/10.1080/10304312.2019.1569383

 

Green, S., Howell, A., & Schubart, R. (2019). Introduction: ‘As if’: women in genres of the fantastic, cross-platform entertainments and transmedial engagements. Continuum - journal of media & cultural studies, 33(2), 153-159. https://doi.org/10.1080/10304312.2019.1569381  

 

Howell A. (2018) The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook. In Danks A., Gaunson S., Kunze P. (eds.) American–Australian Cinema. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-66676-1_9

 

Howell, A. (2019). Breaking silence, bearing witness, and voicing defiance: the resistant female voice in the transmedia storyworld of The Handmaid’s Tale. Continuum - journal of media & cultural studies, 33(2), 216-229. https://doi.org/10.1080/10304312.2019.1569392

 

Howell, A., Baker, L. & Kumar, R. (2019). Introduction: Beyond Nostalgia, Discomfort and Difference in Stranger Things. Refractory: a Journal of Entertainment Media, 31. https://research-repository.griffith.edu.au/bitstream/handle/10072/387419/Howell238082Published.pdf?sequence=2&isAllowed=y

Ion Wille, J. (2021). Hard Rain - New Nordic Magic in Scandinavian film and television fiction. Kosmorama #279. https://www.kosmorama.org/kosmorama/artikler/hard-rain-new-nordic-magic-scandinavian-film-and-television-fiction

 

Ion Wille, J., Schubart, R., Ndalianis, A., & Howell, A. (2019). Fantastic Media Fiction: Cognition, Design, Worldbuilding. Abstract from Society for Cognitive Studies of the Moving Image 2019, Hamburg, Germany.

Ion Wille, J. & Mackinney–Valentin, M. (2018). Klædt i drømme: Når fortællinger materialiserer sig på kroppen” (Dressed in Dreams: When Stories are Materialized on the Body). Kosmorama, 

https://www.kosmorama.org/kosmorama/artikler/klaedt-i-fiktion-nar-fortaellinger-materialiserer-sig-pa-kroppen

 

Joyce, S. (2018). Playing for Virtually Real: Cyberpunk Aesthetics and Ethics in Deus Ex. In G. Murphy, & L. Schmeink (red.), Cyberpunk and Visual Culture (pp. 155-173). New York: Routledge.

Joyce, S. (2021). Re-Enchanting the Nordic Everyday in 'Beforeigners'. Kosmorama #279

https://www.kosmorama.org/kosmorama/artikler/re-enchanting-nordic-everyday-beforeigners 

 

Joyce, S. (2018). Transmedia Storytelling and the Apocalypse. UK: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-93952-0

 

Kjeldgaard-Christiansen, J., & Clasen, M. (2019). Threat Simulation in Virtual Limbo: An Evolutionary Approach to Horror Video Games. Journal of Gaming & Virtual Worlds, 11(2), 119-138. https://doi.org/10.1386/jgvw.11.2.119_1

 

Ndalianis, A. (2018). Bowie and Science Fiction / Bowie as Science Fiction. Cinema Journal, 57(3), 139-149. https://doi.org/10.1353/cj.2018.0036  

Ndalianis, A. & Balanzategui, J. (2019). "Being Inside the Movie: 1990s theme park ride-films and immersive film experiences". Velvet Light Trap, no 84, pp. 18-33.

Ndalianis, A. & Burke, L. (2018). Cleverman and Australian superheroes. Senses of Cinema, 89. 

http://sensesofcinema.com/2018/cleverman-australian-superheroes/cleverman-and-australian-superheroes-introduction/

Ndalianis, A. (2020) “Female Fans, Female Creators, and Female Superheroes: The Semiotics of Changing Gender Dynamics”, The Routledge Companion to Gender and Sexuality in Comic Book Studies, ed. Frederick Luis Aldama, Routledge, London & New York

 

Schubart, R. (2019). Bulk, breast, and beauty: negotiating the superhero body in Gal Gadot’s Wonder Woman. Continuum - journal of media & cultural studies, 33(2), 160-172. https://doi.org/10.1080/10304312.2019.1569382

 

Schubart, R. (2019). “How Lucky You Are Never to Know What It Is to Grow Old”: Witch as Fourth-Wave Feminist Monster in Contemporary Fantasy Film. Nordlit, 2019(42), 191-206. https://doi.org/10.7557/13.5012

 

Schubart, R. (2019). “I am Become Death": Managing Massacres and Constructing the Female Teen Leader in The 100. In J. Kendrick (ed.), A Companion to the Action Film (pp. 417-438). Wiley-Blackwell. https://doi.org/10.1002/9781119100744.ch22

Schubart, R. (2021). “I Smelled It on Him” - Wonderful Trolls and Disgusting Humans in 'Border'. Kosmorama #279. 

https://www.kosmorama.org/kosmorama/artikler/i-smelled-it-him-wonderful-trolls-and-disgusting-humans-border

 

Schubart, R. (2018). Mastering Fear: Women, Emotions, and Contemporary Horror. Bloomsbury Academic.

 

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